Don DeLillo, Falling Man
Thinking about the present can be a difficult, disorienting and sometimes even dangerous task. Lacking the perspective afforded by hindsight, acts of interpretation can be made extremely problematic: what one assumes in the present to be a self-contained truth may, in time, reveal itself as merely one in a vast number of interconnected historical realities.
The purpose of this Seminar is to question the extent to which critical theory in the early twenty-first century has both shaped and been shaped by a contextual ‘framing’ of the present. In doing so, we want to find out is whether today’s theorists, like their more established forebears, can still help to construct the kind of critical language necessary for the establishment of new, more textured understandings of our place in the world. Although the group is aimed primarily at students of English, it is highly interdisciplinary and those with backgrounds in other disciplines are very welcome to attend. All perspectives are valued, and we try to encourage questioning and debate among a diverse range of participants, no matter how well-acquainted they may be with theory or the complex terminology that it often employs.
‘Reality is a question of perspective,’ Salman Rushdie wrote in his 1981 novel, Midnight’s Children: ‘the further you get from the past, the more concrete and plausible it seems – but as you approach the present, it inevitably seems more and more incredible’. Using the example of a cinema-goer who slowly moves up towards the screen, his narrator goes on to explain that ‘Gradually the stars’ faces dissolve into dancing grain; tiny details assume grotesque proportions; the illusion dissolves – or rather, it becomes clear that the illusion itself is reality’. What takes place here is a form of radical ‘unconcealment’ that, to borrow DeLillo’s phrase, is not unlike the wide-eyed childhood realisation that ‘the sun is a star’. The very lack of perspective is itself revealed to be a kind of perspective. Moreover, it is precisely this kind of paradoxical understanding of the world – a simultaneous ‘dissolving’ and ‘making clear’ of reality – that critical theory, in dialogue with literature, can help weave into a figurative language for our time.
ARCHIVE: PAST SESSIONS
06/02/13: 'Latourism: 5 Bruno Latours': Collaborative Session with the Contemporary Fiction Seminar
30/01/13: Professor Tim Armstrong (RHUL) - 'Problems with Trauma Theory'
23/01/13: Dr David James (QMUL) - 'Enduring Consolations'
23/05/12: 'Theory Shaping Fiction | Fiction Shaping Theory': Collaborative session with the Contemporary Fiction Seminar (Institute of English Studies) - Speakers: Mark Blacklock (Birkbeck) and Emilia Borowska (RHUL)
16/05/12: Professor Catherine Belsey (Swansea) - 'Dangerous Dead Women and the Practice of Criticism'
02/05/12: Professor Wendy Wheeler (London Met) - 'Biosemiotics and the Book of Nature: Realism, Nominalism and Science Beyond Gnostic Earth-Hatred'
01/02/12: Dr Kristen Kreider (RHUL) - ''Reflections on a Future Nostalgia: Exploring Andrei Tarkovsky's Film Image and its Expansion through Contemporary Art'
15/11/11: Dr Jane Elliott (KCL) - 'The Prison-House of Agency: Neoliberal Hegemony and Popular Aesthetics in Britain and the US'
18/10/11: Dr Alberto Toscano (Goldsmiths) - 'Seeing Socialism: The Aesthetics of the Plan and the Transparency of Politics'
11/07/11: UNCERTAINTY: THEORY IN THE 21ST CENTURY SYMPOSIUM; Keynote Speakers: Professor Martin McQuillan (Kingston) and Professor Mark Currie (QMUL)
07/07/11: Dr Dan Varndell (Southampton and Winchester) - ''Excrementality' in the Movies: Can Hollywood be 'Incoherent?''
25/05/11: Interculturalism - Speaker: Emer O'Toole (RHUL)
29/03/11: Dr Steven Morrison - 'Breathing the Same Air: Posthuman and Preanimal'
14/03/11: Professor Robert Eaglestone (RHUL) - 'Discourses of Biopolitics, the Human and Mass Murder'
14/02/11: Professor Derek Attridge (York) - 'What Does it Make You Feel?: Responding Affectively to Literature'
15/11/10: DVD Screening: Democracy and Disappointment: Alain Badiou and Simon Critchley in Conversation
27/10/10: Professor Andrew Gibson (RHUL) - 'Intermittency and Disappointment: Jambet, Rimbaud and the Melancholic-Ecstatic Conception of Historical Time'
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